RARI Pager Room

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        RARI Pager Room

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          RARI Pager Room

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            RARI Pager Room

              139 Images & Collections results for RARI Pager Room

              139 results directly related Exclude narrower terms
              RARI HPC 01 57HC
              RARI HPC 01 57HC
              HPC HPC-RARI-HPC-01-57HC.jpg · Item
              Part of Pager, Harald
              The frieze furthest to the right in RSA BTH1 and depicts the meeting of Bushmen groups and is distinguished by a large number of artefacts such as carrying bags, quivers, pangas, etc. that lie around the seated figures. There are also a number of amophorous shapes, which may represent pieces of meat or, in Pager's words, 'parts of the killed and dismembered animals'.

              These paintings are a typical reflection of the way of life of the Bushmen when smaller groups combined at appropriate seasons of the year when food was plentiful and marriages were arranged. They can probably be interpreted completely literal.
              P41 pager F173.               Botha’s Shelter I
              RARI HPC 01 56HC
              RARI HPC 01 56HC
              HPC HPC-RARI-HPC-01-56HC.jpg · Item
              Part of Pager, Harald
              The frieze furthest to the right in RSA BTH1 and depicts the meeting of Bushmen groups and is distinguished by a large number of artefacts such as carrying bags, quivers, pangas, etc. that lie around the seated figures. There are also a number of amophorous shapes, which may represent pieces of meat or, in Pager's words, 'parts of the killed and dismembered animals'.

              These paintings are a typical reflection of the way of life of the Bushmen when smaller groups combined at appropriate seasons of the year when food was plentiful and marriages were arranged. They can probably be interpreted completely literal.
              P41 pager F172.               Botha’s Shelter I
              RARI HPC 01 55HC
              RARI HPC 01 55HC
              HPC HPC-RARI-HPC-01-55HC.jpg · Item
              Part of Pager, Harald
              The frieze furthest to the right in RSA BTH1 and depicts the meeting of Bushmen groups and is distinguished by a large number of artefacts such as carrying bags, quivers, pangas, etc. that lie around the seated figures. There are also a number of amophorous shapes, which may represent pieces of meat or, in Pager's words, 'parts of the killed and dismembered animals'.

              These paintings are a typical reflection of the way of life of the Bushmen when smaller groups combined at appropriate seasons of the year when food was plentiful and marriages were arranged. They can probably be interpreted completely literal.
              P41 pager F169 - 170.

              Bushman beliefs suggest that bags had a special significance beyond everyday use. Their relation to trance metaphors is illustrated in San mythology, where parallels were drawn between getting into a skin bag and getting into an animal- that is, taking on its potency. Therefore, bags painted next to a dance or by themselves, are probably an indication of a trance experience.

              Quivers are usually made of bark and are used to store arrows. The quiver, bow and other pieces of equipment were carried on a hunting bag, which is wider at one end than the other and which has a thong running its length so that it can be slung over a shoulder.               Botha’s Shelter I
              RARI HPC 01 54HC
              RARI HPC 01 54HC
              HPC HPC-RARI-HPC-01-54HC.jpg · Item
              Part of Pager, Harald
              The first of the three large friezes painted at RSA BTH1 and includes a virtually complete spectrum of the typical Bushmen art at the Drakensberg. There are numerous shaded polychrome animals, tall figures wearing long karosses, figures wearing antelope masks and carrying flywhisks and examples of the penis additament etc.

              Of particular note is the eland painted as seen form the back with its head turned to the right and, further on to the right an eland, painted as seen from the front looking straight out of the rock face.

              Many of the human figures are so elongated that they give the impression that they might have been modelled on early black hunting parties visiting the area. On the other hand, however, their clothing and artefacts are typical of the Bushmen. A really satisfactory explanation for this elongation has still to be found and it has also been suggested that the Bushmen artists deliberately exaggerated because of their desires not to be considered small. Whatever the explanation, the artistic effect is dramatic and provides an excellent contrast to the shaded polychrome eland. Attenuated figures (elongated figures).
              P40 pager F165.               Botha’s Shelter I
              RARI HPC 01 53HC
              RARI HPC 01 53HC
              HPC HPC-RARI-HPC-01-53HC.jpg · Item
              Part of Pager, Harald
              The first of the three large friezes painted at RSA BTH1 and includes a virtually complete spectrum of the typical Bushmen art at the Drakensberg. There are numerous shaded polychrome animals, tall figures wearing long karosses, figures wearing antelope masks and carrying flywhisks and examples of the penis additament etc.

              Of particular note is the eland painted as seen form the back with its head turned to the right and, further on to the right an eland, painted as seen from the front looking straight out of the rock face.

              Many of the human figures are so elongated that they give the impression that they might have been modelled on early black hunting parties visiting the area. On the other hand, however, their clothing and artefacts are typical of the Bushmen. A really satisfactory explanation for this elongation has still to be found and it has also been suggested that the Bushmen artists deliberately exaggerated because of their desires not to be considered small. Whatever the explanation, the artistic effect is dramatic and provides an excellent contrast to the shaded polychrome eland. Attenuated figures (elongated figures).
              P40 pager F164.               Botha’s Shelter I
              RARI HPC 01 52HC
              RARI HPC 01 52HC
              HPC HPC-RARI-HPC-01-52HC.jpg · Item
              Part of Pager, Harald
              The first of the three large friezes painted at RSA BTH1 and includes a virtually complete spectrum of the typical Bushmen art at the Drakensberg. There are numerous shaded polychrome animals, tall figures wearing long karosses, figures wearing antelope masks and carrying flywhisks and examples of the penis additament etc.

              Of particular note is the eland painted as seen form the back with its head turned to the right and, further on to the right an eland, painted as seen from the front looking straight out of the rock face.

              Many of the human figures are so elongated that they give the impression that they might have been modelled on early black hunting parties visiting the area. On the other hand, however, their clothing and artefacts are typical of the Bushmen. A really satisfactory explanation for this elongation has still to be found and it has also been suggested that the Bushmen artists deliberately exaggerated because of their desires not to be considered small. Whatever the explanation, the artistic effect is dramatic and provides an excellent contrast to the shaded polychrome eland.
              P40 pager F163 - 164.               Botha’s Shelter I
              RARI HPC 01 51HC
              RARI HPC 01 51HC
              HPC HPC-RARI-HPC-01-51HC.jpg · Item
              Part of Pager, Harald
              The first of the three large friezes painted at RSA BTH1 and includes a virtually complete spectrum of the typical Bushmen art at the Drakensberg. There are numerous shaded polychrome animals, tall figures wearing long karosses, figures wearing antelope masks and carrying flywhisks and examples of the penis additament etc.

              Of particular note is the eland painted as seen form the back with its head turned to the right and, further on to the right an eland, painted as seen from the front looking straight out of the rock face.

              Many of the human figures are so elongated that they give the impression that they might have been modelled on early black hunting parties visiting the area. On the other hand, however, their clothing and artefacts are typical of the Bushmen. A really satisfactory explanation for this elongation has still to be found and it has also been suggested that the Bushmen artists deliberately exaggerated because of their desires not to be considered small. Whatever the explanation, the artistic effect is dramatic and provides an excellent contrast to the shaded polychrome eland. Attenuated figures (elongated figures).
              P40 pager F163.               Botha’s Shelter I
              RARI HPC 01 50HC
              RARI HPC 01 50HC
              HPC HPC-RARI-HPC-01-50HC.jpg · Item
              Part of Pager, Harald
              The first of the three large friezes painted at RSA BTH1 and includes a virtually complete spectrum of the typical Bushmen art in the Drakensberg. There are numerous shaded polychrome animals, tall figures wearing long karosses, figures wearing antelope masks and carrying flywhisks and examples of the penis additament etc.

              Of particular note is the eland painted as seen form the back with its head turned to the right and, further on to the right an eland, painted as seen from the front looking straight out of the rock face.

              Many of the human figures are so elongated that they give the impression that they might have been modelled on early black hunting parties visiting the area. On the other hand, however, their clothing and artefacts are typical of the Bushmen. A really satisfactory explanation for this elongation has still to be found and it has also been suggested that the Bushmen artists deliberately exaggerated because of their desires not to be considered small. Whatever the explanation, the artistic effect is dramatic and provides an excellent contrast to the shaded polychrome eland.
              P40 pager F162.               Botha’s Shelter I
              RARI HPC 01 4HC
              RARI HPC 01 4HC
              HPC HPC-RARI-HPC-01-4HC.jpg · Item
              Part of Pager, Harald
              Remains of a running human figure wearing a triangular apron.
              Aprons.
              P4 pager F78.               Sibayeni Cave I
              RARI HPC 01 49HC
              RARI HPC 01 49HC
              HPC HPC-RARI-HPC-01-49HC.jpg · Item
              Part of Pager, Harald
              There are only a few figures painted in RSA WHA1 and due to the moist conditions in this shelter, it is interesting that they have survived at all.

              On this panel, are the remains of some antelope, a shaded Bushbuck near the bottom and next to this there is a bow. Two sets of strokes in the centre may be arrows sticking out of quivers. A man on the right is wearing animal ears on his head, probably part of a cap.
              P39 pager F160.               RARI
              RARI HPC 01 48HC
              RARI HPC 01 48HC
              HPC HPC-RARI-HPC-01-48HC.jpg · Item
              Part of Pager, Harald
              A shaded polychrome eland on the left and the monochrome remains of two other antelopes on the right. When the paintings were discovered in 1965, water was flowing directly beneath them, but after torrential rains the following year, the river changed its course and now flows a few metres away from the rock face.
              P38 pager F159.               RARI